Guides

Sample the reverb of a real room, your studio or a hall, and load it into a convolution reverb.

What every control does, what Safe Gain actually guarantees, and what Level deliberately does not do.

Setting a bass-mono crossover, reading the goniometer and correlation meter, and why Square is never quite a wire.

Editing six bands straight on the plot: drag, wheel, double-click and right-click, and the six filter types.

Clean, FET and Opto, every control, the sidechain filter and external key, and a vocal worked through.

Focus modes, Depth and Threshold, the Delta monitor, and a ringing snare fixed step by step.

Learning a reference and matching to it, the four translation voicings, and why a fresh Scribe does nothing.

The six saturation models, Bias and the velcro gate, parallel drive, and a bass DI brought forward.

Echo with tape and BBD character, ping-pong and sync, and the chorus, flanger and phaser modes.

The algorithmic and convolution engines, the six synthesized spaces, loading your own IR, and a vocal plate.